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Looking to photograph a solar eclipse with your smartphone? Try these features and think about creative angles

You don’t need a nice professional camera to snap photos of this year’s eclipse. George Frey via Getty Images News

Douglas Goodwin, Scripps College

As the Moon casts its shadow across the Earth during the upcoming solar eclipse, cameras of all kinds will turn skyward. While professional photographers with specialized equipment will aim to capture the perfect shot, others will reach for their smartphones to immortalize this moment.

While smartphone cameras can’t take a great picture of a solar eclipse itself, you can still create a memorable record of the moment with your smartphone.

Your smartphone camera has capabilities that lots of specialized equipment can’t match. It’s lightweight, has built-in orientation detection and can shoot well in darkness and light. Plus, thanks to its computational photography features, it focuses the image for you and provides image stabilization.

Be careful: Photographing the eclipse with a smartphone might damage the camera’s sensor and your eyes. If you want to look at the Sun or take a photo, wear eclipse glasses and get a lens filter.

Don’t look directly at the Sun while taking photos during the eclipse.

Smartphones and optical cameras both bring unique strengths to photography. Smartphones excel in convenience, connectivity and computational photography. They are a simple choice for casual shooters and social media enthusiasts.

Optical cameras beat smartphones in terms of raw image quality, versatility and creative control. This is thanks to their larger sensors, which capture more light and detail, and their interchangeable lenses. They remain the ultimate tools for serious photographers who prioritize performance over portability.

Despite the advantages of optical cameras, a smartphone’s strengths still make it a great way to capture the eclipse.

What is computational photography?

I teach a yearlong course in computational photography that covers the technical aspects of optics and photography. Students make cameras and lenses and write software that duplicates smartphone features.

Computational photography uses computation together with data like location, time of day, personal preferences and other data to improve images. Most smartphones have these features, but very few cameras do.

Two computational modes you will want to try are HDR and night mode.

HDR and night mode

HDR, or high dynamic range, is a technique that combines multiple exposures of the same scene to capture a wider range of brightness levels, from deep shadows to bright highlights. By merging these exposures, HDR can help you create images with more balanced exposure and greater detail.

You can activate your phone camera’s HDR mode in settings.

Night mode is another feature you can use that will improve the photos you take in low light. Using a computational photography technique called stacking, night mode captures multiple images at varying exposure levels and combines them to create a single, well-lit photo with a wide dynamic range.

This process preserves an image’s highlights and the details in the environment, while keeping the shadows dark.

Keep the camera steady while taking night mode photos. You can lean against something solid, such as a wall or a tree. With this computational feature, your low-light images may rival professional-grade optical cameras.

Framing the eclipse

Thinking about how you’re composing your eclipse image will help you make it more visually interesting. Composition in photography refers to the arrangement of elements within the frame.

Elements are things like the subject – a person, place or thing – plus abstractions like patterns and textures – grass, sand, leaves and more. Elements with lines or elements oriented up or down can guide the viewer’s eye through the image, and elements can pull focus to or offset the subject.

Empty or negative space around the subject can give the photo a compelling composition, like the full moon in a black sky. Adjusting the depth of field, for example by using your phone’s portrait mode, can help emphasize the subject.

Using symmetry makes a visually appealing and balanced image, while incorporating complementary colors gives the shot a more dramatic composition.

Think about how a big-budget movie might cover the eclipse. It might have 60 seconds of footage showing the Moon covering the Sun. The remaining 89 minutes would probably show how the eclipse changed people’s lives. There’s a lot more to shoot than just the Sun’s corona.

For example, there’s more that might go into an eclipse image than the sky. Animals may react to the eclipse in interesting ways. Birds may settle down or grow quiet, and nocturnal insects may come out. People around you might have excited, emotional reactions worth capturing as they witness this rare celestial event.

With HDR and night mode active, you can look for dappled light and dark shadows. The light will take on an otherworldly atmosphere as the Moon moves in front of the Sun. The light may take on a peculiar, silvery quality and appear darker than usual. Light falling through gaps between leaves will project hundreds of tiny versions of the eclipse on the ground.

Dappled sunlight spread across sandy ground
Crescent projections onto the ground from tree shadows during the August 2017 eclipse. B137/Wikimedia Commons

Never look directly at the Sun. Wear eclipse glasses if you look up while aiming your camera.

While your smartphone may not capture the intricate details of the eclipse itself, it can help you document the impact of the eclipse on your world. So, as you prepare to witness this once-in-a-lifetime event, don’t forget to look beyond the Sun and the Moon. Observe the shadows, the colors and the emotions that surround you. Let your curiosity guide you and allow yourself to be present in the moment.

The greatest photographs are those that evoke a sense of wonder, awe and connection regardless of the technology used.The Conversation

Douglas Goodwin, Visiting Assistant Professor in Media Studies, Scripps College

This article is republished from The Conversation under a Creative Commons license. Read the original article.



Step Back in Time: Adorable Couple Constructs Massive 1950s Town

Prepare to be transported back in time with Debbie and Ronnie’s incredible creation – a sprawling 1950s town nestled right in their backyard! For the past 25 years, this adorable duo has poured their hearts and souls into crafting a nostalgic wonderland that’s going to leave you speechless.

From a charming diner complete with functioning soda machines to a full-size gas station straight out of a retro postcard, every inch of this town oozes with authentic 1950s charm. But what makes this project truly remarkable is that Ronnie built each of the 14 separate buildings almost single-handedly, using mainly recycled materials, while Debbie added her magical touch through painting and meticulous detailing. Be sure to check it out in the video below!

[Coolest Thing]

Sad AI Sings a Heartbreaking Interpretation of a Software License

Listen as a sad AI lady, prompted by engineer Riley Goodside, delivers a soulful rendition of the MIT software license. Accompanied by a melancholic piano, this haunting performance evokes the bittersweet essence of freedom and reuse. This is quite possibly the greatest sad song of all time.

I just love how the AI interprets the part of the license were “The Software” is written inside parenthesis. It’s just perfect… and hilarious!

Five Traumatic 80s Cartoons That Might Have Scarred Me For Life

Being an 80s kid sure had its perks. I mean, we had it good. The heyday of consoles, some of the best geek movie franchises in history, and of course, some of the most amazing hand-drawn animation to ever hit the screen.

But that’s not to say everything was good. In fact, if you were a Disney Channel aficionado like I was, or happened to have parents who couldn’t tell a good cartoon from a bad one (or anime from Looney Toons) you may have stumbled across some of these cartoons that may well have scarred me for life. I was a very imaginative kid, and while some of these films certainly influenced me as a writer, they also made room for some pretty enduring nightmares.

5) The Hobbit (Rankin-Bass) – Sure, now we laugh at this movie. In contrast to Peter Jackson’s films it somewhat pales in comparison in its rendering of Middle Earth. But the Rankin-Bass version, at the time I saw it in the mid-80s, was like a long, drug-induced fever dream. Not that I knew about drugs, but I swear I could feel it. It was in Gollum’s eyes, and the gaping throats of those horrific Orcs. I recall many nights laying awake in bed, unable to shake the visions (and the songs) from my mind. While technically a late 70s movie, I think the aftershocks of this film were felt well on into the 80s. Especially for those of us who got to relive the story over and over again with LPs and storybooks! Here is the trailer (the audio is slightly delayed):

4) Gallavants – So I’m going to say right off that there’s not much about this film I recall. But I do remember this: the main character went on a journey, and he needed to have a “kabump” appear on his butt. Seriously, it was a rite of passage. Oh, he tried to fake it for a while when all his friends got their kabumps, with a piece of fruit. But eventually everything got figured out… except my sanity. I spent years wondering if this film was a hallucination or just a half-remembered dream. Turns out it actually existed, and somehow that makes everything worse.

The Last Unicorn – Don’t get me wrong, I love this film. I love Peter S. Beagle. But as a child, man. There was no terror like the terror of The Last Unicorn: talking skeletons, well-endowed trees, horrifying birds, and of course that indomitable red bull. The weird thing about this film was that, in spite of my absolute fear of it I never could stop watching. I mean, it has unicorns. And pretty princesses. Even if they did haunt my dreams for years to come. (Although, I think this is where I can trace my propensity for crushing on nerdy wizard types; Schmendrick is so dreamy. Or something.)

2) The Sea Prince and the Fire Child / The Legend of Sirius – This 1981 anime is real. I know this now. My cousins know this. My sister knows this. For some reason it was the film my parents rented every time they came over to the house. There’s something about old gods, fire and water, star crossed lovers, eclipses, and a little horned merman named Bibble who frakking dies. (Spoiler?) Bibble’s death was a black mark on my childhood, shaking me to my very foundations. It really is a beautiful film, however—just at the time, my raw, emotional response to it was off the charts.

1) Unico. Okay, this may be a little obscure. But there is nothing as terrifying as Unico. Nor will there ever be. Now we have Wikipedia to chronicle our 80s traumas, but when I was in college I remember mentioning Unico to a friend in passing, who stopped me and gasped. “Oh my God!” he nearly shouted. “Someone else in the world has seen Unico! I thought it was just me… oh my God.” Unico was adapted from a manga, I’ve since learned, and the first film (yes there are more than one) was released in 1979. There’s all kinds of nightmarish stuff in those films, though, including a deranged puppet, vengeful gods, and of course bricks made out of real people. Not to mention that Unico himself looked like a creepy little unicorn crossed with a cat with a human child’s face.

So, that’s my top five. Any of you experienced films that left an indelible mark on your soul for decades? Share the trauma!

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For today’s edition of “Deal of the Day,” here are some of the best deals we stumbled on while browsing the web this morning! Please note that Geeks are Sexy might get a small commission from qualifying purchases done through our posts. As an Amazon Associate, I earn from qualifying purchases.

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